As January comes to a close, it feels like the right time to pause and look back at 2025. It was a year filled with a wide range of projects, shifting environments, and steady growth—both professionally and personally.
From a work standpoint, executive and corporate portraits made up a significant portion of the year. While I’ve photographed people for decades, something about the rhythm of this work really settled in over the past year. Whether it was a single executive or a team of seventy, the process became more refined, more efficient, and more consistent.
One of the realities of corporate portrait photography is time. Sometimes you get to slow down, connect, and build rapport. Other times, you may have five minutes—or less—with each person. In one case this year, I photographed roughly seventy individuals in a single afternoon. Experiences like that don’t allow for hesitation. They require preparation, adaptability, and the confidence to execute under pressure.
That confidence comes from repetition. Years of working quickly, solving problems on the fly, and knowing my gear inside and out have made it possible to walk into almost any situation and deliver. One project in San Francisco summed that up well. I had planned for a large conference room and instead found myself working in a standard hotel room with low ceilings and tight space. With executives rotating through on a strict schedule, there was no margin for error. The lighting plan had to change, and it had to work immediately. It did.
While assistants are invaluable in many scenarios, I’ve also learned that my system is dialed in enough that, in some cases, working solo is actually more efficient. Setup and breakdown are faster, decisions are immediate, and the process stays streamlined.
What continues to draw me to portrait work is the interaction itself. Occasionally, that connection happens fast. Other times, it happens before the camera ever comes out. One client and I talked for nearly thirty minutes before taking the first photo. That wasn’t intentional—it just happened. But once the camera came up, the conversation continued. The result was a relaxed, natural session that felt less like a photoshoot and more like a dialogue. That comfort always shows in the final images.
From a technical standpoint, one of the biggest improvements in 2025 was workflow. Editing tools and smarter processes have significantly reduced turnaround time without sacrificing quality. Jobs that once took days now take a fraction of that time, which benefits both my clients and me. Efficiency matters, especially when handling high-volume corporate portrait sessions with tight deadlines.
On a more personal level, 2025 marked a significant shift in perspective. Being baptized Catholic and finding a stronger footing in my faith has influenced how I approach my work. It’s less about taking every project that comes along and more about asking whether the work aligns with my values. That clarity has made it easier to say no when something doesn’t feel right—and more confident saying yes when it does.
Balance was another theme this past year. While photography always carries a degree of uncertainty—doing everything “right” doesn’t guarantee the phone will ring—it’s a career that requires constant effort and resilience. Not everyone is built for that. I’m aware of the pressure that comes with it, especially when one successful year leads directly into the question of doing it all over again.
That’s where personal projects come in.
Some of the most meaningful work I did in 2025 wasn’t commercial at all. Spending a day embedded at Mahon Ranch, or documenting multiple days with my son’s ROTC unit in Wyoming, reminded me why I started photographing in the first place. Those projects allowed time—time to observe, to listen, and to understand the heartbeat of a place or a group of people. That kind of work pushes me creatively and keeps me grounded.
As I look ahead to 2026, I want to continue building on what worked: efficient, high-quality corporate and executive portraiture paired with intentional personal projects that challenge and inspire me. That combination is what keeps the work honest, sharp, and sustainable.
Thanks to everyone who trusted me with their image, their time, and their stories in 2025. I’m looking forward to what comes next.