2025 was a year of rhythm—refining executive portrait work, improving workflow, and staying grounded through meaningful personal projects that continue to shape how I approach photography.
Why I Enjoy Photography More Than Ever
After years behind the camera, I find myself enjoying photography more now than when I first started. The technical side — lighting setups, exposure, gear quirks — no longer slows me down. Those things are second nature at this point, which means I can focus on what matters most: connecting with people.
Legacy in the Dust: A Day at Mahon Ranch
There’s a kind of clarity that only comes after spending a full day in the dust, heat, and rhythm of a working ranch. Watching generations of cowboys handle 120 head of cattle—not for show, not for nostalgia, but because it has to be done—reminds you what real work looks like. This wasn’t a photo op. It was a way of life. And I was grateful to be invited into it, camera in hand, just trying to do it justice.
From the Sidelines to the Sacraments: My Journey into the Catholic Church
And I thought: If this level of evil is real, then the opposite must also be real. There has to be a corresponding good. There has to be God.
Field Notes from Wyoming
In April 2025, I made a 2,400-mile round-trip drive from Sacramento to Laramie, Wyoming, stopping in Guernsey for a weekend I’ll never forget. I was there to spend a few days with my son Ryan, a senior in the University of Wyoming’s Army ROTC program, as he and his fellow seniors ran their culminating training event—the Joint Field Training Exercise (JFTX).
Why I Don’t Believe in the “Ultimate Posing Guide”
Forget the “Ultimate Posing Guide.” True posing is about authenticity, not memorization. In this post, I break down how I approach posing as a conversation—not a command—and why the most natural movements often lead to the strongest images. Whether you’re a photographer or someone who hates being in front of the camera, there’s something here for you.
Sacramento Fashion Week 2025 – A Photographer’s Perspective
Fashion Week always brings a mix of creativity, spontaneity, and technical challenges. This year at Sacramento Fashion Week, held at the Crocker Art Museum, I set out with a clear vision of how I wanted to capture the event. Over two nights, I experimented with lens choices, lighting techniques, and visual storytelling,