Sacramento Fashion Week 2025 – A Photographer’s Perspective

Sacramento Fashion Week 2025 – A Photographer’s Perspective

Fashion Week always brings a mix of creativity, spontaneity, and technical challenges. This year at Sacramento Fashion Week, held at the Crocker Art Museum, I set out with a clear vision of how I wanted to capture the event. Over two nights, I experimented with lens choices, lighting techniques, and visual storytelling,

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Sacramento Magazine Best Of Issue
Behind the scenes, Location Tim Engle Behind the scenes, Location Tim Engle

Sacramento Magazine Best Of Issue

About two months ago the art director for Sacramento magazine came to me with a concept for the upcoming best of Sacramento issue. He wanted images with a really high saturation look. One of the things about doing photos like this is that everybody has a different idea of what high saturation looks like. The first thing we decided to do was run some test, so we were all on the same page with the look. This was so helpful in determining the saturation and color palette we wanted to keep throughout the entire project.

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An afternoon with some amazing history

An afternoon with some amazing history

Recently I was assigned to cover the historic rail yards in Sacramento, which consist of the Railyard, Boiler Shop, and the Erecting Shop for Sacramento Magazine. If you live in Sacramento, then you know this iconic location. Located in downtown Sacramento, it's been a location that I have wanted to explore my entire life. So my excitement, when I learned I was going to shoot there, was through the roof! The short story on why it became possible to shoot there is that the rail museum became the owner of the property recently and the red tape to get in was reduced. It still took a few months of e-mails and phone calls, which I was more than happy to participate in.

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Portrait Shoot Progression
Fashion, Lighting, How-To Tim Engle Fashion, Lighting, How-To Tim Engle

Portrait Shoot Progression

Over the years I've developed a rhythm which allows me to get to know the model, as well as what type of lighting works best for them. This week was a prime example; Emily was in my studio for a portrait session, and while I've worked with her in the past, this was her first portrait session with me. My normal progression is what I like to call, “no make up, makeup, and lighting.” For the no makeup look, I normally just use natural light from an open door. Typically I shoot these on a black background. This allows me to really focus on the subject’s face and learn what lighting and lenses are a good match for them. Once I get these shots done, I have the makeup artist begin the model’s first makeup look. By the time I get the last image, it's typically something a little more complex with the lighting.

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