Behind the scenes, Editorial Tim Engle Behind the scenes, Editorial Tim Engle

Run Cover

A few months back, we went on location for a cover shoot, for a special Sacramento magazine supplement.

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A few months back, we went on location for a cover shoot, for a special Sacramento magazine supplement. The day we chose ended up being the only day that week that was overcast and dreary, which worked in our favor. There was a bit of moisture which gave higher saturation to the surrounding plants and also made it easier for our model to function. The lighting for the shoot was Phottix Indra 500's. These lights are so ideal for location work. They offer very durable batteries as well as high-speed sync, which was crucial for a running shoot my other the lights would not have performed so well. It's so important to have a solid crew to help on these types of shoots. I've worked with all of these individuals before, and they're genuinely talented and good at what they do.

Thanks to a great crew!

Model: Arionna Morales

Makeup: Ernesto Robledo

Art Direction: John Facundo

Production: Christine Alward

Assistant: Skip Jones

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Stormy Weather Shoot

I've always enjoyed shooting pictures of the sky when it has lots of  cloud textures and shapes. It's always been a goal of mine to make portraits with clouds as the background. It took me a while to work through to the style that I have now. In looking back, I may have over thought how to accomplish my goal

My friend Frederick Van Johnson asked me to make some new portraits of him for his 2017 marketing. On the day we shot, a storm was rolling through, so we took the opportunity to make some dramatic portraits with the clouds as the background.

I used one AlienBee 1600ws with a Vagabond battery. I had a 20 degree grid on some of the shots and strip box on others.

I've always enjoyed shooting pictures of the sky when it has lots of  cloud textures and shapes. It's always been a goal of mine to make portraits with clouds as the background. It took me a while to work through to the style that I have now. In looking back, I may have over thought how to accomplish my goal.

For this image I used my Nikon D810 at ISO 31, F14 at 1/60sec

For this image I used my Nikon D810 at ISO 31, F14 at 1/60sec

My approach is kind of simple, I make an image of the sky to determine the correct exposure. Once I'm comfortable with that exposure, then I add in my subject and strobe. I start with the strobe at 100% power and depending on the modifier, move the light to the subject until I get the balance of sky and subject that I want. Once all those elements are set I'm free to move around and find the angles that I like. It's a fun process and I always look forward to when the weather conditions are correct to allow me to do this.

 

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